Katie Walsh

Based on the memoir by Scott LeRette, the movie takes on subjects including autism and brittle-bone disease with a faith-based foundation in church and family.

The third installment of the live-action/animation hybrid remains a reliable source of high-caliber children’s entertainment, but its witty spark is diminished.

The screenplay of the latest movie in the MCU tries to be too many things to too many prior adventures, but at its core is a resonant story about Black heroism.

The debut of Halfdan Ullmann Tøndel arrives with some unfair expectations — his grandparents are film legends — but finds a confidence and flair of its own.

Adapted from the popular children’s series by Dav Pilkey, this animated version finds just the right tone: a simple aesthetic for kids, with empathy for adults.

Husband-and-wife filmmaking team Andy and Sam Zuchero create a sci-fi romance that’s well cast but frustratingly shallow about online influencer culture.

Following up his well-liked 2018 crime film, director Christian Gudegast swaps ‘Heat’ for ‘Ronin,’ bringing on interchangeable Euro-criminals and car chases.

Director Robert Eggers has wanted to remake F.W. Murnau’s silent horror classic for decades, but his results show a lack of imagination and too much deference to the original.

Just when third installments begin to lag, the Sonic series has found a way to turbo-charge itself, doubling the Jim Carrey content and cutting him loose.

Aaron Taylor-Johnson tries his best in a supervillain offshoot that, like Sony’s “Madame Web,” may work better for comics fans looking for a campy hate-watch.